
Ikumi Nakamura
Ikumi Nakamura began her career in the games industry as an artist on Capcom’s Okami before working as a senior artist on Bayonetta and the cancelled Scalebound at PlatinumGames.
She then spent nine years at Tango Gameworks, working on The Evil Within, The Evil Within 2 and Ghostwire Tokyo, which was her first project as creative director.
She left Tango in 2019 prior to the game’s competition due to ill health and has since formed her own Japanese independent development studio, where she’s serving as the creative director on a mystery project.
Ikumi Nakamura News
Amazon US is offering ‘3 for the price of 2’ on some big new game releases
Including Elden Ring, Ghostwire Tokyo and Tiny Tina's Wonderlands
Shinji Mikami wants Tango Gameworks to make smaller and non-horror games
The Resident Evil creator doesn't want the studio to only be associated with a single genre
Ghostwire Tokyo’s former creative director only has a small mention in its credits
Ikumi Nakamura left Tango Gameworks and formed a new studio, claiming her work environment was making her ill
Review: Ghostwire Tokyo is a memorable but flawed horror-action game
Tango Gameworks' unique and weird setting is a marvel let down by repetitiveness and an abrupt ending
Former Ghostwire Tokyo creative director reveals her new studio, Unseen
Ikumi Nakamura left Tango Gameworks because her work environment was making her ill
Ghostwire Tokyo: Prelude is a free visual novel out today on PS5 and PS4
The prologue to the main game will also come to PC next week
First look: Ghostwire: Tokyo has hints of Resident Evil 4
From the sharp combat to the comical merchants, Shinji Mikami’s winning formula appears to be back
Ghostwire Tokyo will be released in March, PlayStation’s YouTube channel confirms
Early access offer and pre-order bonus content also detailed
It looks like Bethesda’s Ghostwire: Tokyo could release as soon as March
PlayStation Store listing points to an early release for the Bethesda title
2022 Preview: GhostWire Tokyo is putting the PKE in FPS
Shinji Mikami's new project continues to impress and bewilder in equal measure